Pierre-Auguste Renoir
French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.

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Pierre-Auguste Renoir Parisian Women in Algerian Dress oil painting


Parisian Women in Algerian Dress
mk155 1872 Oil on canvas 156x129cm
Painting ID::  40100
Pierre-Auguste Renoir
Parisian Women in Algerian Dress
mk155 1872 Oil on canvas 156x129cm
   
   
     

Pierre-Auguste Renoir The Swing oil painting


The Swing
mk156 1876 Oil on canvas 92x73cm
Painting ID::  40761
Pierre-Auguste Renoir
The Swing
mk156 1876 Oil on canvas 92x73cm
   
   
     

Pierre-Auguste Renoir Portrait of t he Actress Jeanne Samary oil painting


Portrait of t he Actress Jeanne Samary
mk156 1877 Oil on canvas 56x46cm
Painting ID::  40763
Pierre-Auguste Renoir
Portrait of t he Actress Jeanne Samary
mk156 1877 Oil on canvas 56x46cm
   
   
     

Pierre-Auguste Renoir The Moulin de La Galette oil painting


The Moulin de La Galette
mk156 1876 Oil on canvas 131x175cm
Painting ID::  40765
Pierre-Auguste Renoir
The Moulin de La Galette
mk156 1876 Oil on canvas 131x175cm
   
   
     

Pierre-Auguste Renoir Lucheon of the Boating Party oil painting


Lucheon of the Boating Party
mk156 c.1880 Oil on canvas 129.5x172.7cm
Painting ID::  40774
Pierre-Auguste Renoir
Lucheon of the Boating Party
mk156 c.1880 Oil on canvas 129.5x172.7cm
   
   
     

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     Pierre-Auguste Renoir
     French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.

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